Revisiting a Queer Classic: The Enduring Legacy of 'But I’m a Cheerleader'

Behind the Scenes of a Cult Classic: How Jamie Babbit's Groundbreaking Film Became a Beacon of Hope and Identity in Queer Cinema

In the realm of cult classic films, few titles resonate as deeply with LGBTQ audiences as "But I’m a Cheerleader." Directed by Jamie Babbit in 1999, this brilliant fusion of comedy and social commentary has become a beloved fixture in queer cinema, showcasing not only the talents of its cast but also tackling the absurdities of conversion therapy. Today, a quarter-century later, the film continues to inspire and uplift fans, thanks to its bold storytelling and memorable performances.

"But I’m a Cheerleader" centers on Megan, portrayed by Natasha Lyonne, a high school cheerleader who is sent to a conversion therapy camp by her well-meaning but misguided family after they suspect she’s a lesbian. Babbit originally conceived the project after reading a chilling article about gay rehabilitation centers, compelling her to shine a light on the shocking reality of such practices. To bring her vision to life, she enlisted Brian Wayne Peterson to pen the screenplay. Babbit’s choice of casting was notably distinctive; Clea Duvall, who had previously starred in Babbit’s short film "Sleeping Beauties," took on the role of Megan’s love interest, while Rosario Dawson was also in the running for the lead before the role ultimately went to Lyonne. Joining them were notable names like Michelle Williams and Melanie Lynskey, adding star power to this groundbreaking narrative.

One of the film’s memorable aspects was its casting of RuPaul, who played a member of the camp's conversion team. At the time, RuPaul was primarily known for his drag performances, and Babbit fondly recalls his enthusiasm to be involved in a project that would showcase his personality beyond the realm of drag. The fun, quirky nature of the film was palpable during production, with Lyonne recounting a memorable night that resulted in her getting a tattoo, much to Babbit’s dismay. As fans of the film know, Lyonne’s character dives into various wild and humorous situations at the camp, bringing both levity and poignant moments to the story.

Initially, "But I’m a Cheerleader" faced considerable challenges before gracing theaters. After debuting at the Toronto International Film Festival in 1999, New Line Cinema picked it up, although Lionsgate later took over when distribution issues arose. One significant hurdle was the film’s original NC-17 rating, which Babbit fought hard to change. She managed to secure an R rating with minor edits, a testament to both her determination and the pressing need for more inclusive and liberated narratives in film. Babbit expressed her frustration with the ratings board at the time, highlighting how conservative it was towards content featuring same-sex relationships. Nonetheless, the film finally made its theatrical debut on July 7, 2000.

Although "But I’m a Cheerleader" had an initial box office revenue of $2.5 million—equivalent to about $4.8 million today—its true success lies not in its commercial performance but rather in the devoted following it has cultivated since its release. The film has resonated deeply within the LGBTQ community, becoming a hallmark of queer cinema celebrated for its unapologetic humor and honest portrayal of love and identity. Babbit encapsulated this sentiment perfectly when she stated, “The queer community deserves stories with happy endings.” This affirmation has only solidified the film’s status as not just a piece of entertainment, but a cultural touchstone that inspires hope and celebration among its viewers.

Today, Jamie Babbit has continued to thrive in the entertainment industry, directing hit series such as "Only Murders in the Building." Her journey from the indie film circuit with "But I’m a Cheerleader" to working with high-profile stars in major television productions signifies her growth and resilience as a filmmaker. The impact of her debut film remains significant, not only in shaping her career but also in influencing countless individuals within the LGBTQ community and beyond.

As we reflect on the legacy of "But I’m a Cheerleader," it becomes clear that its charm extends well beyond its comedic elements. The film is a poignant reminder of the importance of embracing one's identity in a world that often imposes rigid definitions of love and acceptance. From Babbit’s innovative direction to the standout performances by Lyonne, Duvall, and RuPaul, the film continues to be a beacon of joy, laughter, and self-acceptance, encouraging audiences to assert their authenticity in the face of adversity. Its journey from obscurity to iconic status is a powerful testament to the enduring strength and creativity of queer storytelling, which remains as relevant today as it was at its inception.